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the WAlk through


The rooms

Three rooms, specifically designed differently. The sound you get is not only the sound you hear. You also hear the sound of the space around the instrument or vocal. We have a large room, very open with natural reverb, that is great for drums. And also a treated room that is good if you'd like to control the space. Both have 16 foot high ceilings, so playing with the space is totally up to you. The third room is the control room, boasting many analog and digital components. This room is quite "dead" and is ideal for fine tuning your sound.

the Mics

Neumann u87, AKG D112, Shure SM57. (4), Sennheiser MD421. (2), Oktava 319 mkII (mod) (2), Shure SM58. (2), 1968 Electro-Voice RE55, 1970 Electro-Voice 644, 1968 Electro-Voice 664. (2), 1968 Shure Unisphere, Shure SM7b., Oktava 012, Cascade Fat Head II with Lundahl 2912.

The amps

2011 Dr. Z Maz 18nr, Fender 1991 Rock Pro Showman (100watt tube drive, solidstate clean channel) -Tube/Solidstate Amp-, VOX AC30 -Tube Amp-, Ampeg SVT 3 Pro (bass amp) -Tube-, RadioShack 1987 8 series, '59 Fender Bassman RI LTD -Tube combo-, Fender Super Sonic 22 -Tube Combo- Fender Pro Reverb/Fender Deluxe Reverb, Fender USA Deluxe 1x12, and the Fractal Audio Axe-Fx Ultra.

(check for availability as we are constantly upgrading)

the drums

1966 Ludwig with 12", 13", 16" toms and a 22" kick. One 1970's Ludwig 1o" tom. A 1960 14" Ludwig Supraphonic snare, a 1968 Ludwig Supersensitive Supraphonic snare, a 1965 Ludwig 15" tom, and a Mapex Black Panther 13" snare. Many cymbals from Zidjian, Sabian, and Paiste. Many more cowbells, shakers, tambourines and noisemakers.

(check for availability as we are constantly upgrading)

the Guitars

1999 Fender Jazz Deluxe Active, 1996 Gibson SG 60'sRI, 2004 Fender Telecaster Standard, 1994 Fender Texas Special Stratocaster, 1960's Fender P-Bass, 1978 Fender RI Starcaster Semi-Hollow, 1999 Fender American Telecaster Deluxe (active), 2012 Fender American Telecaster Deluxe, 1976 Fender Stratocaster SSH, 1976 Fender Stratocaster Noiseless, 2013 Fender Jazzmaster, 1989 Takamine ND15-C Acoustic.

(check for availability as we are constantly upgrading)


the Mixer

At the heart of Anthem's studio is a vintage 32 channel Ghost analog mixing console. This console has the Neve/SSL mods performed to make some really great classic audio. We also have a 1976 TEAC 388 reel-to-reel tape machine for stem mixdown if you want that great tape saturation.

the outboard analog

Outboard mixing is crucial in this day and age to warm up those digital environments. We have rack gear from: Universal Audio LA610, Great River ME-1NV (neve 1073), DBX 386 tube pre (x2), BBE 882i Sonic Maximizer (x2), Warm Audio WA-76 (1176 clone), Rascal Audio 3630 mod (x2), and a pair of 1970's API 312's. Sitting above all of those on our rack, we have so many guitar and bass pedals to cove out your ideal tone. Drives, compressors, fuzz pedals, etc.. the list goes on and on and on..

the monitors

Monitors, or speakers, we conduct our everyday listening pleasure on are the classic 1970's Yamaha NS-10m's. Yeah, those speakers you see in all of your favorite studio pics, we got 'em. Also we have a pair of professional Adam A7's and a sub, great for all day listening and tracking.

Great and creative atmosphere. Bryan knows what he’s doing when it comes to producing. Can’t beat the price, and the outcome is worth every penny.
— matt fowler
Bryan David / Anthem is always my #1 choice of studio for world class broadcast quality recordings. The sound quality is incredible and Bryan as a Producer is an outstanding talent and collaborator, always with a highly-tasteful and team-player approach. Wouldn’t go anywhere else.
— Mark Schlotterbeck